Paul Allen

Ivory ban: World’s largest exporter of legal ivory is shutting down the trade.

Finally. The UK government has bowed to pressure from wildlife campaigners and will ban the sale of ivory, regardless of its age.

At least, that was the word this past Friday, after acting UK environment secretary Michael Gove — of all people — put forward a ban on the sales of all items carved from ivory, including those carved before 1947.

That’s key because, while the international trade in ivory had been illegal since 1990, a loophole in UK law permitted trade in ivory “antiques,” loosely defined as an ivory item carved before 1947. A further loophole — a loophole inside the loophole, if you will — permitted ivory “worked before 1990,” provided those items were accompanied by government certificates.

©Jim Panou/Panimages

©Jim Panou/Panimages

Given that government corruption is a driving force behind the illegal wildlife trade in many of the developing countries where elephants are trafficked for their tusks by international crime syndicates, the UK loophole was the very definition of hypocrisy. Why should UK government officials be allowed to sign off on supposedly “antique” ivory, but not government officials in, say, Tanzania or Namibia?

The UK is, or rather was, the world’s largest exporter of legal ivory —  I did not know that until this past week — and cutting off the trade will in theory help slow down the illegal trade in ivory by international crime syndicates.

©NBC News

©NBC News

Despite recent wins by wildlife campaigners — China and the U.S. have both resolved to scale back trade in ivory, if not eliminate it entirely — poaching continues to be a serious problem. More than 50 elephants are killed by poachers every day. A 2016 elephant census across Africa, funded in part by Microsoft co-founder Paul Allen, showed that the continent lost a third of its remaining wild elephant in just the 10 years prior to 2016.

If anything, poaching has only increased over the past year, exacerbated by a sudden, unwelcome surge in the poaching of rhinos for their horns. Considering the gestation period for an elephant is two years, and elephants only give birth to one baby at a time, it doesn’t take an advanced degree in mathematics to see how see where an already dwindling population of wild elephants could be heading.

The ruling Conservative government was believed to be disinterested in widening the UK ban; the Tories removed a pledge on ivory from their 2017 election manifesto in June, even though it had been included in the party’s 2015 election manifesto.

©BBC News

©BBC News

Celebrity campaigners from Prince William to Jane Goodall, Stephen Hawking and Ricky Gervais mounted a vocal protest that found favour with ordinary, everyday voters fed up with what they perceive to be wanton greed — the rich getting richer — with utter disregard for the wellbeing of the planet.

Of course, bans are one thing; discouraging demand and eliminating the market entirely is another.

“The unprecedented crisis we face – with Africa’s natural heritage being destroyed and communities put at risk due to poaching by illegal armed gangs – will only stop when people stop buying ivory,” Stop Ivory’s John Stephenson told the media Friday.

Even so, Stephenson said he was gratified by the government’s “important step,” and looks forward to seeing the ban implemented and enforced “without delay.”

©Jakarta Post

©Jakarta Post

Other NGOs caution that the road ahead is not entirely clear, either for elephants or any other endangered animals trafficked for profit.

World Wildlife Fund CEO Tanya Steele warned that the scale of the problem is vast, and promises need to be back up with action.

“The illegal trade involving organized criminals is a global problem requiring global solutions,” Steele told reporters. “To end it anywhere means ending it everywhere. This is about more than banning ivory sales in one country. It means working with leaders and communities around the world, particularly in China and Southeast Asia.”

While China has appeared to have turned a corner, for example, and to a lesser extent Vietnam, Laos has suddenly become the new frontier in the wild west of illegal wildlife trafficking.

©Reuters/Al Jazeera

©Reuters/Al Jazeera

In the meantime, carefully staged photo ops in developing countries like Kenya — twice in four years, now — have seen governments burn stockpiles of elephant tusks, to show the world that they value their remaining living elephants, and the tourist revenue they bring, over selling ivory on the black market and getting rich at the expense of future generations.

The ivory burns, dismissed by some as a cheap publicity gimmick — even though, given the value of the ivory involved, they can hardly be said to have been inexpensive — clearly had an effect on public opinion in the media-savvy West. 

©Africa Geographic

©Africa Geographic

The UK Tory government didn’t widen the ivory ban because they wanted to, but because ordinary, everyday people shamed them into doing it, and not just because of the Duke of Cambridge and Stephen Hawking.

Yes, the UK is just one country, but wins in wildlife conservation have to be taken as they come, day by day, and at a time.


©African Parks/AFP

©African Parks/AFP


How ‘One Little Elephant’ will change your life, if only for an hour.

“Naledi” is the Setswana word for ‘star,’ but it doesn’t end there. Naledi is also the name of a 90-minute documentary about efforts to revive a sickly, wild elephant that was found orphaned and near death in a private wilderness reserve in Botswana, Africa’s most forward-thinking wildlife country and home to one of the last bastions of wild elephants on the planet. 

Naledi: An Elephant’s Tale, made in 2016, followed a European documentary film crew as they tagged along with wildlife rangers who made a timely intervention, to see if they could nurture the starving, emaciated month-old baby back to health. The subsequent film caused a stir on Netflix, which has pursued an active program of award-winning documentaries of late. Naledi: A Baby Elephant’s Tale proved to be a crossover hit for Netflix, popular with both an adult audience jazzed by timely, topical, hard-hitting documentaries and the family audience that typically gravitates toward warm-hearted programs about cute animals.

©Netflix

©Netflix

Now, PBS’s venerable film showcase Nature has chosen a trimmed-down, 55-minute version of Naledi to open its new season (PBS, Wednesday at 8ET/PT; check local listings).

Please don’t think the edited version is a simple retread, though. Retitled Naledi: One Little Elephant, the shorter version is a tight, lean, skillfully made film in its own right. Much of the back story is hinted at, but not explained. There is no narration. Game rangers, conservationists and surrogate elephant parents tell a chronological story in their own, often revealing words; no narration is needed. 

The cinematography is clean and crisp, and at times breathtakingly beautiful. Naledi doesn’t look or sound like your typical TV program made on the cheap and on the fly. There are moments when the photography takes on an almost Game of Thrones-like feel. The music, composed specifically for the film by the feature-film composer Nick Urata, is gorgeous. 

That’s a tell right there, because there’s a trend in TV documentaries of late to hire online music charnel houses that stitch together pre-recorded music cues, selected by computer programs and mashed together to form some kind of fetid, ghastly pastiche of aural wallpaper — white noise.

©Abu Camp Botswana/Dr. Mike Chase

©Abu Camp Botswana/Dr. Mike Chase

Naledi is not that program.

The music was composed by a living, breathing human being, not an AI program.

Urata founded the Denver-based underground band DeVotchKa in 2007 and was Grammy-nominated for the film score of the Oscar-winning Little Miss Sunshine. More recently, Urata composed the title music for Netflix’s Lemony Snicket’s A Series of Unfortunate Events, with Neil Patrick Harris.

Naledi: One Little Elephant is not your typical TV fare, in other words. It comes in at the high end of the nature program scale, and it’s easy to see why veteran Nature executive produce Fred Kaufman chose it to open the program’s 36th season.

This is just background, of course. The important thing to know — both from a conservation point of view and for an evening’s relief from the day’s news headlines — is that this is a moving, true-life story that will entertain the kids while at the same time engaging the adults in the family.

©Kate Bradbury

©Kate Bradbury

Raising orphaned baby elephants in captivity and then reintegrating them into the wild is never easy.

Thanks to the remarkable work being done on a daily basis now by the Nairobi-based David Sheldrick Wildlife Trust, home of the famous — thanks to a classic 60 Minutes segment that went viral — elephant orphanage run by Sheldrick’s widow, Dame Daphne Sheldrick. Raising a baby elephant is not like raising a calf or steer; Sheldrick toiled for years before finally hitting on a baby-milk formula that orphan elephants would both accept and draw sustenance from.

©Daphne Shedrick

©Daphne Shedrick

What makes Naledi so compelling is that an elephant never forgets. Or, more accurately — and more importantly for an audience-friendly TV program — an elephant never forgets a person’s face. Sheldrick herself has been recognized by elephants released back into the wild after 20 years or more.

It helps that Naledi’s story is compelling, of course. It helps, too, that there’s a message — implied, but not shoved in your face — about the crisis facing today’s fast-disappearing population of elephants. The last large-scale elephant census, taken in 2016, found that Africa had lost a third of its remaining elephant population in just the 10 years prior.

As of this moment in time, China and the U.S. have closed their ivory markets — officially, anyway — but poaching is still a problem. Illegal ivory is still readily available throughout China, the Far East and Southeast Asia. 

©Wilderness Safaris

©Wilderness Safaris

Naledi was backed by Paul Allen — the other guy behind Microsoft — and his conservation foundation. Allen, now a full-time philanthropist living in Seattle, was oneof the backers of the 2016 elephant census.

Naledi was made by veteran BBC and National Geographic filmmaker Ben Bowie, alongside Amsterdam-based filmmaker Geoff Luck, also an alumnus of National Geographic and PBS.

The program’s resident wildlife expert is Dr. Mike Chase, founder of Elephants Without Borders. Chasehas been working out of a research station in Botswana’s Okavango Delta for the past 15 years.

©Dr. Mike Chase

©Dr. Mike Chase

Naledi is not a cheapo wildlife doc, in other words. It’s a proper film, in both its shortened Nature version and in the Netflix original.

More importantly, perhaps, for these troubled times, it will lift your spirits, if only temporarily. PBS Nature is back, and not a moment too soon.